Extra Credit

This assignment was particularly interesting because out of the three speakers only one performed poetry and all the rest performed prose.  I have to say that I was struck by the prose speakers that night, espeically the speaker who rambled out a long narrative of his girlfriend and a new, inspiring house accessorized with a strange old man.  The diction used in this piece was very intriging and painted a picture I would like to look at with more time.  The rambling nature of the poem threw me off a bit, as eventually I lost the plot and therefore most of my interest in the poem.  Hearing this read aloud was interesting, as the author acted out the various characters in the poem extremely effectively, adding more tone and originality, however I think I would enjoy reading the poem myself, so I would be able to track the plot easier and be able to enjoy the poem to a deeper extent.

People of Paper

The format of “People of Paper,” written by Salvador Plascencia, was very interesting and unique to me.  In it, the multiple perspectives from different characters were written on the same page by lieu of different columns.  While a bit off-putting at first, the effect of this was rather postive for me after a while because it was able to quickly give me different perspectives of one event, instead of having to wait for another point of view in a separating chapter.  So, instead of losing focus on the event and forgetting some of the contrasting details, it was easy to compare the narratives and get a much more fulfilling view of the story.

SPOOF-POEMS!! Who knew, right?

Anne Sexton’s collection of fairy-tale poems was quite intriguing.  Modeling these on the original and darker Brothers Grimm style of the poems already set up the stage for a pessimistic and mocking result of the characters.  With Sexton’s sarcasm and modern day references sprinkled into the mix, I rather felt like I was reading a spoof of the fairytales.  I probably enjoyed this most in the fairytales of Cinderella and Snow White, in which the speaker charmingly references to Cinderella as having a “cinder face” and Snow White, who had literally just opened the door for a THRID assination attempt by her step-mother, to be a “dumb bunny.”  While the style of these poems are not particulary helpful for cultivaling the style of my own writing, the modern idea of having a poem be a spoof is a foreign thought that I intend to try my hand at.  Reading these poems has expanded the boundaries as to what I once definited poetry to be, and though it most likely will not end up being my trademark, it would be interesting and very fun to add a few spoof-poems to my collection.

But seriously, SPOOF-POEMS?!  That has to be one of the greatest ideas ever.  Way to be, Sexton.

Imitation of Robert Hass’ poem “My Mother’s Nipples”

Like biting through seaweed or

Cotton, sweet or salty

Whichever pleases that palate

Monster with thoughts tangible

As breath

Sometimes and sometimes

Not on a whim. I

Cast back to when I have

No memory to

Fuel the darkness here

Now. Nothing satisfies and

So I totter over Trust and Blindness-

Take me as you

Once did so long ago.

What Death Means

Our world is encompassed in similar and opposite and criss-crossing views about death.  Every time I turn on the television there is usually something relating to death, whether I’m watching the news or a cartoon or a movie on one of those heartwrenching channels.  And there are so many different opinions about what death means, or should mean, that sometimes its hard to sort it out individually.

What I like about Gerald Stern’s poem “Behaving Like A Jew” is how the speaker actively disregards his community’s postive spin on death.  While contemplating a dead opossum in the road, the speaker says, “I am not going to…praise the beauty and the balance and lose myself in the immortal lifestream when my hands are still a little shaky from his stiffness and his bulk…”  I can relate to this harsh, unidealistic view of death, thankfully not because I have much experience with it, but because I agree that the horror and shame of death is not something to be glossed over.  Though Stern ends up relating the poem to the genocide of the Jewish people, even if it had remained one dead animal in the road, a considerably smaller measurement, it still would have have a mighty testament to the saddening fragility of life.

That Fine Line

The difference between anecdotal and poetry can be a fine line indeed. As Li-Young Lee demonstrates in his readings of his poetry it does not necessarily have to be defined through a clear difference between the speaker/narrator and the author. Even in Billy Collin’s work this is not the definition, for his humorous anecdotes clearly reflect his personality. I think I would actually describe that fine line through the use of Billy Collin’s words, in which he stated that poetry was like a deck of cards; some cards the author flips over and reveals concretely to the reader, while others remain face down and abstract. Thus, there is the balance of concrete vs. abstraction, enough to make poetry. Many of Lee’s poems are anecdotal, but he adds enough abstraction to the memories he is imparting, enough face-down cards, to make the entire experience potentially symbolic of something else altogether.

Li-Young Lee

Reading from the following site:

http://www.youtube.com/watch?v=m5hvOJXXTtk

What fascinates me the most about Li-Young Lee’s reading is his performance- his near painful shyness accompanying his honestly and undisguised vulnerability.  I found these traits strongly reflected in many of his poems, making it difficult for me to separate the speaker or narrator of the poem from its author.  However, I do not think his poetry suffered for it.

Billy Collins- Madness or Brilliance

Billy Collins is great entertainment. His humorous poems are a refreshing take on modern poetry. Most of them made me laugh out loud at least once, especially The Revenant, containing a brief look into the bitter mind of a dog, which I highly recommend to anyone. Personally, Satire and myself are BFFs, so coming across a poet who can utilize it so skillfully was a delight.

At first glance, Collins’ work felt like a comedian’s routine transformed into poetry. A simple joke, good for a laugh and highly valued for that, but ultimately lacking in depth and unable to make a real impact on my life. Of course The Revenant has stayed in my head for a couple of days and for fun I’ll probably try to emulate his style once in a while, but the admiration of his poetry, as with anything- evil geniuses, for an example- would have to vary from person to person.

Through his humor and predominantly colloquial writings, Collins seems to believe that a poem is a cool way to have a conservation and easy relationship with the audience, and in doing so tries to tip the scale of poetry back to more approachable levels. I can see this being especially admired in beginners to poetry- younger versions of us familiar only with Shakespeare and the dry analysis of any other classroom poem autopsied for a grade and beaten with the Boring stick. Collins work is much more interesting and understandable. However, there are many of those out there, myself included, who enjoy the drama of a long, rambling angst or the beautiful recollection of a tragedy, which is simply not Collins’ style.

Instead, Collins uses ordinary occurrences and blurbs of thought, changes them into poetry form and has a conversation with the world, as easy as you telling your friend about that crazy wacko around the corner that started break-dancing in the middle of an intersection. Collins urges his poetry to casually take us by the hand and point out the existence of other perspectives both about poetry itself and about the basic topics he discusses. I believe that Collins’ calling in poetry is to encourage over-stressed poets and would-be poets to take a step back from life, pal around in the comfortable shores of the mundane and take some pleasure in the small stuff, for once.